This video tutorial teaches you how to see through clothes using a blank roll of film and any video camera that has night vision. You won't see people completely naked, but you can see undergarments and the "shape" beneath...If your imagination just isn't cutting it anymore, check out this how-to video and start getting a peak at people in a slightly less clothed state.
The ability to see through clothing has been pursued by voyeurs for millenia, and today with the help of cheap video cameras we are closer than ever. This video will show you how to use a piece of blank developed film and IR to see through different types of shirts and other clothing. It also covers the effects of different colors and fabrics on the technique's effectiveness.
You will see a great way to light and set up a blue/green screen for your next video. There are a lot of tips that will come in handy if you want to film on a blue/green screen and don't want to pay outrageous fees to do so. The key in setting up is to block out all outside sources of light so you have just the desired amount of lighting coming just from your own sources and also setting up the screen and stretching it out as tight as possible so you won't see any creases or snags in the mate...
See how to shoot a time-lapse video using a DSLR and intervalometer. This video tutorial covers everything from settings you should use to making the time-lapse video in QuickTime.
Cinema is a matter of what's in the frame and what's out, according to director Martin Scorsese, who asserted that when describing his life's work. Getting the perfect shot can turn an otherwise ordinary scene into something great, both on and off screen.
Watch this video series for a tutorial on using the various features of the Bolex 16mm camera. Part 1 of 6 - How to Use a 16mm Bolex camera.
Israel Hyman is a weekend videographer headquartered in Mesa, Arizona. In this video, he demonstrates how to use “Shutter Speed” to make your digital video look better. A rule of thumb is: Set the shutter speed at a rate of 1/60 of a second for normal shooting.
What makes a good movie good is that it is both aesthetically pleasing and has an interesting point/plot. This video runs you through how to make it visually effective, stressing how you frame and compose a shot. While the Rule of Thirds is forever a great way to make shots interesting, there are other ways you can set up a shot.
"Skimboarding in a Storm" displays some ultra cool camerawork, employing the relatively cheap and user friendly GoPro camera (also used in the clever Kitchen Timer Panning Time Lapse Hack).
Jennifer demonstrates an in car video camera techniques by showing different ways to shoot video from a moving vehicle.
In this DIY video, we show you how we built our camera crane. This was all done with a table saw, drill and hack saw.
This is a quick tutorial on a few pieces of film equipment that are especially well suited to filming outdoors - specifically, the Sony EX1 video camera, and the Letus Extreme 35 mm lens adapter, as well as the hardware you'll need to be able to use it.
This tutorial shows you a quick rundown of ten different lighting setups for films. Whether you're looking for a silhouette, a documentary or confessional style look or something else entirely, you'll be able to find something useful in this tutorial.
This video provides tips on better shooting at night for amateur film making.
Don't spend hundreds of dollars on an expensive Spider Trax dolly when you can make your own at home for just a few dollars and an hour or so of your time. Make sure you build something that will work with your own camera!
brusspup has tons of ingenious tips and tricks for everybody! In this video tutorial, he shows you how to simulate a dolly shot with just a camera tripod.
This is an easy and simple dolly you can make with just a few lengths of PVC pipe and some wheels taken from a pair of Rollerblades. You'll also need a few pieces of hardware to attach it, like screws.
It's very hard to capture a sunrise on camera. Yes, you can get a general feeling from a single shot: the hazy, blue-orange rays of light peeking through the clouds in a sunrise or the crimson red streaks of sun dappling darkening skies in a sunset. But to truly capture a sunset or a sunrise, you have to experience them.
In this video, we learn how to film skateboarding. First, get a camera that fits your price range and you will be ready to start filming. Next, use a long lens so you capture the best shots of people on their boards and in motion. Next, make sure you capture the lines that the skateboarder is skating on. Use different angles to get the best shot possible. You want to get close to the action, so you will need a fish eye lens. Use your skateboard to follow the skater around. Using these simple ...
In this video from lunawebs we learn how to use an external monitor with a camcorder. The best way is to use an HDTV and use your HDMI output on the TV. The sound can also come through the monitor if you have a headphone port on the monitor. If you want to go outdoors, it will be more of a challenge. If you do not have an HDMI out on your camera, there is a component you can use. Composite AV outs are cheaper when it comes to monitors and camcorders. If you have a composite monitor, assign th...
The lady shows how to make the steadicam arm to work with glidecam stabilizer. The steadicam arm is made such as only a steadicam can be fitted on that. The video describes how to make the usable for glidecam with three simple tools ,a 10 ounce hammer ,a long nose player and a flathead screwdriver. First take out the circular clip with which the post is secured with the screwdriver unscrew and pull the post out .Using the hammer straighten the post .The post will have a scratch but the straig...
If you're a serious film buff then these glasses will totally give you a cinemagasm. This polarization filter uses a pair of 3D glasses as a base and combines the glasses with a lens cap to reduce glare and any reflections that could tamper with your viewing experience.
If you've seen Requiem for a Dream, you've seen the snorricam effect - the camera is worn around the actor's waist and as the actor moves it creates a wild camera effect. The guys at Indy Mogul show you how to build your own snorricam.
Want to film underwater, but can't afford the expensive professional camera rig? This tutorial shows you how you can construct your own functional underwater camera rig for about sixty dollars. You will need: small ankle weights, threaded seal tape, waterproof sealant, Velcro, a rubber washer, a sheet of plexiglass, PVC pieces, metal ring clamps, hot glue and a dremel.
Imagine your own time-lapsed footage in a 360 degree pan. You don't need an expensive Hollywood-style pan mount to get this effect. You can easily do this rotating pan mount on the cheap, with something you would never suspect— a kitchen timer.
There are some essentials you need to know when shooting with the Red One camera, here we go over start/stop, SD card, AV connector board, back focus, and installing PL lens.
This is how to create a split screen on final cut pro. This is very basic, but opens a window for limitless fun and ideas.
This is a great tip that will save you quite a lot of money on camera lenses. No matter what lens you are using, this video shows you how to get a good macro shot. All you need are special filters that go on top of your lens.
Film Noir, or black film, is a type of film that can easily be attributed to classics such as the Humphery Boggart films of old (Maltese Falcon, King of the Underworld, ect.). If you're looking on how to create the effect yourself without a big budget, check out this video! John Hess gives you some basic tips to creating the effect with lighting and more!
If you know what a cam slider is, you know you want one. But camera sliders can be pretty pricey, so that's when it's time to resort to DIY techniques. In this video, see how to build your own pro-slider. It's super easy and only takes ten minutes to make!
HDDSLR Guru, Philip Bloom, quickly demonstrates how to convert 50P and 60P footage captured on Canon DSLR's to slow motion for a hyper-cinematic effect. It's really simple; just a few clicks and you've got artifact-free footage! Convert DSLR 50P and 60P footage to slow motion.
Can't afford a camera dolly? Take a look at this instructional video and learn how to make your own low budget camera dolly. The materials you'll need to construct this dolly are:
Watch this instructional cinematography video to learn a cheap and easy method of creating your own time-lapse footage with a motor controlled hacked clock. This is an excellent way to generate fast forward effects in film (think of the famous scene in Garden State). This is a great effect for filmmakers on a budget to simulate.
Camera angles can be expressed in both physical and psychological terms. The first episode presents the physical angles: low-angle, high-angle, and dutch angle.
Need some smooth pan shots for your indie film? How about a cool dolly zoom effect? Well, you don't need to be a professional filmmaker to use such a device, but you do need the money for the gear. But—if you can work your way around the workshop, you can probably build your own camera dolly and track just fine. And for under $100! This video shows you how to build your own DIY dolly and dolly track, and all you need are the parts listed below. Then you just need to learn the art of the dolly...
A steadicam can mean the difference between a professional and steady wide shot of Victorian era London or a wobbly, user-generated content-esque portrayal of some old lamps and streets. Having control over how your camera moves is so vital to good film production.
Movies take us places we've never been before, and a big tool that has contributed to that age-old phrase "movie magic" is the camera jib arm. Kind of like a camera extendeder, the jib arm is like a rotating crane that you can place your camera on top of.
This guide goes over the basics of 3D video recording and the mechanics behind it before delving into something a little more specific. The host discusses how to build a rig that allows for adjustments to be easily made to the interaxial distance and convergence of the two cameras.
RC helicopter rigs allow cinematographers the ability to capture footage which would otherwise be extremely expensive. Below, Hive Swimwear models are shot from above, using Aerobot's MikroKopter.
You have a great Glidecam and a Merlin vest fit for Steadycam... now what? You can easily adapt your two pieces of equipment to help them sync up. All you need is a few pieces of extra hardware to make it work.